Due to its stylistic features, this painting has long been believed to be a Chinese painting of the Northern Song period, dated to the 12th century.

This painting depicts several vignettes of the scholar-hermit’s various activities. In the the lower left corner, the scholar-hermit is portrayed welcoming his guest in the courtyard. In the middle section on the lower bottom, the scholar and his guest are shown encountering another traveler on the bridge and exchanging their greetings. After crossing the bridge, the scholar visits a friend who lives in a compound of multiple buildings. The two friends decide to take a short walk. Both appear in a terraced cliff, enjoying a mountain vista and the fragrance of an old pine tree carried by the gentle wind. The scholar continues his journey with his two servants. They are portrayed crossing a winding wooden bridge. Right beyond the colossal rocky mountain, a panoramic view to a bustling market place unfolds, suggesting that it may be the place where the scholar-hermit’s entourage would visit. Perhaps the scholar need to buy items such as books, rolls of papers, and brushes, all essential to scholarly life. Toward the upper left corner, another group of travelers is landing on the river bank that leads to the city gate; they may be headed to the multistoried Buddhist stupa nestled on the top of the mountains.